Songs are numbered according to their order in the sources, not necessarily the order in which they were actually performed. Attributions to composers rather than librettists are indicated by an asterisk (*).
Rule, Britannia!(lyrics). The original arrangement, not that of the modern patriotic song.
Tune thy cheerful voice to mine– G. Mason (lyrics).
Now is the time– G. Mason (lyrics).
The King’s goodnight– G. Mason (lyrics).
Come, follow me, my wandering mates– G. Mason (lyrics).
Dido was the Carthage queen– G. Mason (lyrics).
Robin is a lovely lad– G. Mason (lyrics).
The shadows darkening our intents– G. Mason (lyrics).
Truth sprung from heaven– G. Mason (lyrics).
The farewell song– G. Mason (lyrics).
The Lords’ welcome– J. Earsden (lyrics).
Come, noble nymphs– W. Webb (lyrics, alternate setting). Perhaps one of these settings was intended for the cancelled performance of the masque of Neptune’s Triumph.
From the famous Peak of Derby– R. Johnson (lyrics). If not for Johnson’s music, this masque should have been relegated to the dustbin of history.
To the old, long life(lyrics).
Why, this is a sport(lyrics).
Oh, what a fault– A. Ferrabosco II (lyrics).
Senses by unjust force banished– A. Ferrabosco II (lyrics). Omitted from the printed text of the masque.
How near to good is what is fair!– A. Ferrabosco II (lyrics).
Hence, ye profane– W. Lawes (lyrics).
Wherefore do my sisters stay?– W. Lawes (lyrics).
Think not I could absent myself– W. Lawes (lyrics).
Why do you dwell so long– W. Lawes (lyrics).
In envy to the Night– W. Lawes (lyrics).
Come away– W. Lawes (lyrics). The only short fragment of the song that has survived.
Instrumental introductions to the songs that have not survived, grouped by composer.
Symphony(1).
Symphony(2). Both pieces are probably from J. Shirley’s Triumph of Peace.
Symphony(1). Probably from J. Shirley’s Triumph of Peace.
Symphony(2) and
Saraband.