Attributions to composers rather than librettists are indicated by an asterisk (*).
Antimasque.
Blackfriars masque.
Durrants masque.
The first masque.
The first of the Lords.
The first of the Temple antic.
The knights’ masque.
Lady Phyllis’s masque.
Lord Zouche’s masque.
A masque(1).
A masque(2).
A masque(3).
A masque(4).
A masque(5).
A masque(6).
A masque(7).
A masque(8).
A masque(9).
A masque(10).
A masque(11).
A masque(12).
A masque(13).
A masque(14).
A masque(15).
My Lady Wroth’s masque.
My Lord of Oxford’s masque.
A re masque.
The second masque.
The second of the Lords(additional notes).
The second of the Temple antic.
The Temple antic 1.
The Temple antic 2.
Rule, Britannia!(lyrics). The original arrangement, not that of the modern patriotic song.
Come, follow me, my wandering mates– G. Mason (lyrics).
Dido was the Carthage queen– G. Mason (lyrics).
The farewell song– G. Mason (lyrics).
The King’s goodnight– G. Mason (lyrics).
The Lords’ welcome– J. Earsden (lyrics).
Now is the time– G. Mason (lyrics).
Robin is a lovely lad– G. Mason (lyrics).
The shadows darkening our intents– G. Mason (lyrics).
Truth sprung from heaven– G. Mason (lyrics).
Tune thy cheerful voice to mine– G. Mason (lyrics).
Adson’s masque 1– J. Adson.
Adson’s masque 2– J. Adson.
Adson’s masque 3– J. Adson.
Bring away this sacred tree– N. Lanier (lyrics).
Come ashore– J. Coprario 🎤 (lyrics).
The devils’ dance– J. Adson.
Go, happy man– J. Coprario 🎤 (lyrics).
The sailors’ masque.
The tempest. It is sometimes thought to have been written for Shakespeare’s Tempest. If so, it could be either the Reapers’ Dance or the Dance of the Shapes in Act III, scene iii.
While dancing rests– J. Coprario 🎤 (lyrics).
Come, noble nymphs– W. Webb (lyrics, alternate setting). Perhaps one of these settings was intended for the cancelled performance of the masque of Neptune’s Triumph.
From the famous Peak of Derby– R. Johnson (lyrics). If not for Johnson’s music, this masque should have been relegated to the dustbin of history.
To the old, long life(lyrics).
Why, this is a sport(lyrics).
The fairy masque– R. Johnson.
The first of the Prince’s Masque– R. Johnson. An almain.
Gentle knights– A. Ferrabosco II (lyrics).
Nay, nay, you must not stay– A. Ferrabosco II (lyrics).
The satyrs’ masque– R. Johnson.
The second of the Prince’s Masque– R. Johnson. An almain.
The third of the Prince’s Masque– R. Johnson. An almain.
Come away– W. Lawes (lyrics). The only short fragment of the song that has survived.
The fancy/
Anne Pitt’s masque– S. Ives.
Hence, ye profane– W. Lawes (lyrics).
In envy to the Night– W. Lawes (lyrics).
A masque(1).
A masque(2).
The queen’s masque– S. Ives.
Symphony(1) – S. Ives.
Symphony(2) – S. Ives.
Symphony– W. Lawes. Introductory instrumental pieces to songs for which the musical settings have not survived. Sorry for the rough continuo realisation, the source I used for the realisation in the songs did not include these three symphonies.
Think not I could absent myself– W. Lawes (lyrics).
Wherefore do my sisters stay?– W. Lawes (lyrics).
Why do you dwell so long– W. Lawes (lyrics).