Masque dances and marches

Related dances are grouped together. Attributions to specific masques refer to whole groups and are mostly conjectural.

• Adson’s masque (1) – J. Adson.
  • Adson’s masque (2) – J. Adson.
  • Adson’s masque (3) – J. Adson.
• Anne Pitt’s masque – S. Ives. Perhaps from J. Shirley’s Triumph of Peace.
  • A masque. A possibly related piece.
• Bateman’s masque – R. Bateman.
• Blackfriars masque.
• Broxbournebury masque (1). Probably from His Highness’s Entertainment at Broxbourne.
  • Broxbournebury masque (2).
  • Broxbournebury masque (3).
• The Bull masque – J. Bull.
  • Almain. This piece, perhaps also by J. Bull, could be another dance from the same masque.
• Durrants masque.
• The Earl of Sussex’s delight – T. Hume.
• The first masque.
  • The second masque.
• The French king’s masque.
• Golden grove – W. Lawes. An almain.
  • Corant – W. Lawes.
• Gray’s Inn masque, the first – J. Coprario. Perhaps from F. Beaumont’s Masque of the Inner Temple and Gray’s Inn.
  • Gray’s Inn masque, the second – J. Coprario.
  • Gray’s Inn masque, the third – J. Coprario.
• A jig – D. Mell.
• The king’s masque.
• The ladies’ masque.
  • The ladies’ second masque.
  • The ladies’ third masque.
• The ladies, the first of. This set of dances was performed after The cuckolds’ masque.
  • The ladies, the second of.
  • The ladies, the third of.
  • The ladies, the fourth of.
• Lady Hatton’s almain – R. Johnson.
• Lady Lucy’s masque. Perhaps from S. Daniel’s Vision of the Twelve Goddesses.
• Lady Phyllis’s masque.
• Lord Hay’s first masque. Probably from B. Jonson’s Lovers Made Men.
  • Lord Hay’s second masque.
• Lord Hay’s masque – T. Lupo. From T. Campion’s Lord Hay’s Masque. The melody was later adapted as the song Shows and nightly revels (lyrics).
  • A masque (1) – T. Giles. Later adapted as the song Triumph now with joy and mirth (lyrics).
  • A masque (2) – T. Lupo. Later adapted as the song Time that leads the fatal round (lyrics). Lord Hay’s corant may be an additional triple time section of this dance.
• The Lord Monck’s march – T. Gibbs.
• The lords, the first of (1) – J. Coprario. Probably from T. Campion’s Lords’ Masque.
  • The lords, the second of (1) – J. Coprario.
  • The lords, the third of (1) – J. Coprario.
• The lords, the first of (2).
  • The lords, the second of (2) (additional notes). The melody was later adapted as the ballad Now the spring is come (lyrics).
• Lord Zouche’s masque. A march.
• Love is strange. Perhaps from J. Shirley’s Triumph of Peace.
• A masque (1).
• A masque (2).
• A masque (3).
• A masque (4).
• A masque (5).
• A masque (6).
• A masque (7).
• A masque (8).
• A masque (9).
• A masque (10).
• A masque (11).
• A masque (12).
• A masque (13).
• A masque (14).
• A masque (15).
• A masque (16).
• A masque (17).
• A masque (18). Perhaps from J. Shirley’s Triumph of Peace.
• A masque (19) – S. Ives. Perhaps from J. Shirley’s Triumph of Peace.
• A masque (20).
• A masque tune – R. Johnson.
• Mr Lawes’ flat tune – W. Lawes.
• Mr Warwick’s masque – J. Warwick.
• My Lady Wroth’s masque.
• My Lord of Essex, the first of. Probably from B. Jonson’s Hymenaei.
  • My Lord of Essex, the second of.
  • My Lord of Essex, the third of.
• My Lord of Oxford’s masque. A march.
• My mistress’ masque – T. Hume.
• Nan’s masque.
• The pleasant spring – B. Rogers. An almain.
  • Saraband – B. Rogers.
  • A jig – B. Rogers.
• The prince’s masque, the first of – R. Johnson. An almain, probably from B. Jonson’s Oberon, the Faery Prince.
  • The prince’s masque, the second of – R. Johnson. An almain.
  • The prince’s masque, the third of – R. Johnson. An almain.
• The queen’s masque.
• The queens’ masque, the first of. An almain from B. Jonson’s Masque of Queens.
  • The queens’ masque, the second of. A brawl.
  • The queens’ masque, the last of.
• Rice Davies’ masque – S. Ives. From the lost R. Davies and D. Mansell’s wedding masque.
• Sir Francis Bacon’s first masque. Probably from The Masque of Flowers.
  • Sir Francis Bacon’s second masque.
• Somerset’s masque.
• Temple masque – W. Lawes. Probably from W. Davenant’s Triumphs of the Prince d’Amour.
• The Temple, the first of (1) – R. Johnson.
  • The Temple, the second of (1) – R. Johnson.
  • The Temple, the third of (1) – R. Johnson.
• The Temple, the first of (2).
  • The Temple, the second of (2).

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